In order to understand how to use Reverb in a music production setting, you must first understand how it works in nature, and how it works in a physical space. Essentially, with Reverb we are artificially emulating something natural. This is especially important to consider when you are producing electronic music in a DAW, you’re producing music that exists in a synthetic artificial space, and sometimes you will need to consider how to place your music in a 3 dimensional sonic landscape. Learning how to incorporate this most vital element of sound into your musical creation process is one of the key aspects that will enhance your skills and make sure you’re on the right path with your production.įundamentally, Reverb is a sonic phenomenon which puts sounds into a physical space. That is the basis of reverb and ambience, and what we will be covering in this guide. Crafting melodies and beats is one thing, but you also need to be aware of the sonic space that these elements occupy. When you’re creating music to a certain level of quality, you need to be aware of everything going on from the top down. With all the bells and whistles a modern engineer would need.Ambience & Reverb is a crucial part of making music. We’ve asked ourselves what the pioneers of legendary digital reverbs would have done if they had the resources we have today – and then we’ve made exactly that plugin. But also in terms of adding creative features that weren’t possible in the hardware days.Ĭrystalline stands on the shoulders of 60 years of chasing ‘the holy grail of DSP’. But limited computing power forced manufacturers back then to work within narrow constraints.įast forward, and we now have the resources to do things that couldn’t be done during the golden age of studio reverbs. Throughout the 20th century, algorithmic reverbs evolved thanks to companies like EMT and Lexicon. In fact, the idea can be traced all the way back to research papers from the 1960s. A ‘perfect algorithmic reverb’ is often considered the holy grail of digital audio effects.
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